Other Nonprofit Composer Opportunities

The first Composer we are building for the NPO (Nonprofit) Network, which is what I am now calling the website I want to build, is a Grant Application Generator. My last posts have been dedicated to chronicling the process I went through to design this Grant Composer. But the Strategic Planning information that we collect with the NPO Planner has value far beyond grant applications.

The NPO Business Plan has strategic information, such as the organization's purpose, mission statement and strategy. It has high level financial data. It also has program information, such as program descriptions, volunteer information and even stories that can be used to 'sell' the program to potential donors and partners. These types of information can serve as high quality raw material for many different communication pieces.

The role of a Composer is to configure information, stored in what can be thought of as an 'information catalog', into a form that meets a particular set of needs. The Grant Application Generator configures business plan information into a grant application that meets the submission requirements of a particular foundation. The same raw material could be configured to create reports for Board members, handouts for volunteers, brochures for potential donors, even public websites.

The current business plan model contains only text and numbers, but it will be expanded to include images. This extension is important, because visuals are essential in certain media, such as brochures and websites.

Professional templates will be developed for different communication vehicles, with much more extensive formatting than the Grant Generator, which is designed to replicate a completed questionnaire. Often the content of the Grant Generator is cut-and-pasted into an online form, so the main goal of its formatting is simplicity and clarity, not beauty. The formatting of Composers for printed documents, especially marketing documents, will strive for professionalism and attractiveness.

Once templates are created, we will create context dialogues that ask for important parameters, such as which program should be featured in the communication piece. The Composer will know, based on the template, whether the long or short form of the answer is most appropriate.

Ultimately, the Composer will manage the selection and placement of text and images into the appropriate template, based on the information collected in the context dialogue.

The creation of additional Composers will extend the value of the Business Plan content, and save even more time for chronically time-poor nonprofits. It will make available a growing portfolio of communication documents that nonprofits can use to get the word out about the services they provide. The availability of these documents will help in the recruitment of volunteers and donors, and improve the understanding of stakeholders like the Board of Directors and community partners.

Composers provide document automation, and like all automation tools, they free-up people to focus on the tasks that only people can do. In this case, that task is the crafting of the message. The mechanics of document assembly will be left to the computer.

One More Input to the Nonprofit Planning System

I said in the prior post that two knowledge artifacts are required to run the Grant Generator: the Business Plan Tree, which provides the content, and the Foundation Sequencing Table, which provides the assembly instructions. There is one other input, a community asset that I build and maintain along with the Sequencing Table, which I call the Nonprofit Element Attribute table.

In the process of building the Nonprofit Planner and Grant Generator, there were certain design and formatting decisions that were left to me as the knowledge author. One was the rules for when to use the green 'completeness' highlighting in the business plan, and the other was how to format the output in the grant application.

First, I'll explain the completeness rules. Remember, in KnowtPlan, when an item is completed it is outlined in green in the note view and highlighted in green in the outline view.

The rule for when to apply the highlighting to the 'leaves' of the tree is simple: when both the short and long answer are filled in, add the green outline. So the completeness rule for 'Organization's Mission Statement' is 'self'; it is highlighted as soon as its 'self' is complete.

The rules for how to roll the highlighting up to higher levels in the tree are somewhat more complicated. That is because some of the higher level notes require their own answers and some are just headers added for organization purposes.

An example of a note that is just a header is 'SWOT Analysis'. It has no content; if you clicked on it, you would not get a popup window asking for a long and short answer. So its completeness rule is 'children'; it is highlighted as soon as all of its children are highlighted. In the screenshot above, SWOT is not highlighted because two of its attached notes have not been filled in yet.

On the other hand, 'Organization's Purpose' is a note that acts as a header but also requires its own content. The charity is expected to fill in the organization's purpose, which should be short and compelling - different from a mission statement, which can be rather wordy. So the completeness rule for 'Organization's Purpose' is 'both': it is considered complete when all of its children are completed AND its own content is filled in.

So one piece of information I have to provide is the completeness rule for every item in the plan. I do this by adding an attribute called 'completeness' and setting its value to 'self', 'children' or 'both'. A second attribute I need to provide for each item is how it should be formatted in the grant application that is generated. This is similar to assigning a paragraph style in Microsoft Word.

Even though we ask for a 'long' and 'short' answer for each question, it is clear from working with the actual content that some answers tend to be much longer than others. For example, contact info tends to be very short. Descriptions of the Board members, on the other hand, tend to be much longer.

So we created two different paragraph styles: 'inline' puts the question header on the same line as the response pulled from the business plan; 'paragraph' puts the header on a separate line. There are also headers, the ones that have no content of their own, that never show up in the generated grant application. Their style is set to 'none'. This became a second attribute.

I'm sure there will be other attributes that will surface as we continue to develop the Nonprofit system. To make it easy to expand and maintain this sort of information, we capture it in a table that is easy for me to change, and doesn't require changes in computer code. The current version of the Nonprofit Element Attribute Table looks like this:

The Grant Application Generator

While the process of creating a 'composer' that generates grant applications highlighted the need for charities to do better planning, I have never lost sight of my original intention. Yes, the Nonprofit Planner has value on its own, but the magic of the tool is that it collects important content in a highly reusable form. The first composer we have built to utilize this content is the Grant Generator, and there will be other composers down the road that can use the planning content as well.

In my book, and in prior posts about the Recommender, I talked about knowledge patterns. I have defined a knowledge pattern as a consistent set of knowledge artifacts that can be used over and over again to solve a certain type of problem. The knowledge pattern for a Recommender looks like this:

I've written a series of posts about applying this pattern to build a Whiskey Recommender.

The pattern for a Composer is remarkably similar to that of a Recommender. The pattern for a generic Composer looks like this:

How this general pattern translates into specifics for the Grant Composer is shown here:

Two knowledge artifacts are required for a Composer: a document content tree, which contains the raw material for the document to be composed, and a table, which contains the assembly isntructions. 

In earlier posts, I described the Foundation Sequencing Table, which holds the assembly information necessary to generate a grant application. This table will be a community asset that I will build and maintain. There will be only one version of this table because the information requirements for a particular foundation are the same for all charities that apply for grants.

The content to be assembled, however, is unique to each charity; each will have its own business plan, documented using our planning tool. This plan is an asset that will be built and maintained by the charity.

These two knowtifacts, then, are inputs to the composer application. Like all of our applications, the first step in using the tool is to collect the context for the current situation. In general, we run an application to solve a particular problem in the current moment, and the context is the way we describe our current needs. 

The Grant Application Generator needs to collect two types of context information.

The first type is information that helps the application 'prune' down the input knowledge artifacts to the relevant columns, tree branches and fields. Questions like 'which foundation', 'which program' and 'long or short answers' fall into this category.

The second type is specific information that refers to this particular grant request only, and therefore cannot come from the business plan. Information in this category includes the request amount and date. This information must be collected at run-time so it can be filled in at the appropriate locations in the generated document.

Once the context is collected and 'OK' is clicked, the Grant Generator creates a document that meets the specifications: just the information the target foundation wants to see, and in the order they want to see it. (I've grayed out this charity's info, to protect their privacy.)

In my next post I'll discuss some of the details about how this report is formatted, and how charities can use it.